June Pro
Redefining legibility with a modern edge, a typeface built to look good in any medium.
TYPE DESIGN
June Pro is a modern sans-serif type family designed for clarity, flexibility, and everyday use. Available in 10 weights from Thin to Heavy, with true italics and a variable font option, it was built to work across brand identities, editorial layouts, digital products, and long-form reading.
The typeface grew out of my Masters in Type Design, where I explored the work of Adrian Frutiger and typefaces such as Avenir, Frutiger, and Univers. June Pro builds on that influence with a more contemporary feel, balancing clean, readable forms with subtle details that give the family its own character.
June Pro
Redefining legibility with a modern edge, a typeface built to look good in any medium.
TYPE DESIGN
June Pro is a modern sans-serif type family designed for clarity, flexibility, and everyday use. Available in 10 weights from Thin to Heavy, with true italics and a variable font option, it was built to work across brand identities, editorial layouts, digital products, and long-form reading.
The typeface grew out of my Masters in Type Design, where I explored the work of Adrian Frutiger and typefaces such as Avenir, Frutiger, and Univers. June Pro builds on that influence with a more contemporary feel, balancing clean, readable forms with subtle details that give the family its own character.
June Pro
Redefining legibility with a modern edge, a typeface built to look good in any medium.
TYPE DESIGN
June Pro is a modern sans-serif type family designed for clarity, flexibility, and everyday use. Available in 10 weights from Thin to Heavy, with true italics and a variable font option, it was built to work across brand identities, editorial layouts, digital products, and long-form reading.
The typeface grew out of my Masters in Type Design, where I explored the work of Adrian Frutiger and typefaces such as Avenir, Frutiger, and Univers. June Pro builds on that influence with a more contemporary feel, balancing clean, readable forms with subtle details that give the family its own character.
DESIGN INTENT
The aim was to create a sans-serif that felt clear, useful, and adaptable across different formats, with enough range to work quietly in body text and confidently in larger, more expressive settings. The family was designed around simple, readable forms, a wide weight range, and small typographic details that help it feel precise without becoming overly neutral.
DESIGN INTENT
The aim was to create a sans-serif that felt clear, useful, and adaptable across different formats, with enough range to work quietly in body text and confidently in larger, more expressive settings. The family was designed around simple, readable forms, a wide weight range, and small typographic details that help it feel precise without becoming overly neutral.
DESIGN INTENT
The aim was to create a sans-serif that felt clear, useful, and adaptable across different formats, with enough range to work quietly in body text and confidently in larger, more expressive settings. The family was designed around simple, readable forms, a wide weight range, and small typographic details that help it feel precise without becoming overly neutral.
TRUE ITALICS
June Pro includes true italics, drawn separately rather than created by simply slanting the roman characters. They are set at an 8-degree angle, slightly more upright than the 10 to 12 degrees often used in italic type design, which helps them feel gentler and easier to read in longer passages.
The letterforms include subtle changes in shape, rhythm, and construction, giving the italics their own character while keeping them closely connected to the wider family. This makes them useful beyond simple emphasis, especially in editorial layouts, brand systems, and more considered typographic settings.
TRUE ITALICS
June Pro includes true italics, drawn separately rather than created by simply slanting the roman characters. They are set at an 8-degree angle, slightly more upright than the 10 to 12 degrees often used in italic type design, which helps them feel gentler and easier to read in longer passages.
The letterforms include subtle changes in shape, rhythm, and construction, giving the italics their own character while keeping them closely connected to the wider family. This makes them useful beyond simple emphasis, especially in editorial layouts, brand systems, and more considered typographic settings.
TRUE ITALICS
June Pro includes true italics, drawn separately rather than created by simply slanting the roman characters. They are set at an 8-degree angle, slightly more upright than the 10 to 12 degrees often used in italic type design, which helps them feel gentler and easier to read in longer passages.
The letterforms include subtle changes in shape, rhythm, and construction, giving the italics their own character while keeping them closely connected to the wider family. This makes them useful beyond simple emphasis, especially in editorial layouts, brand systems, and more considered typographic settings.
ALTERNATE STYLES
June Pro includes stylistic alternates that give designers more control over tone and clarity. Characters such as the alternate Q offer a different visual rhythm and can improve recognition in certain settings, especially at smaller sizes or in longer reading environments.
These alternates help the family shift between cleaner, more neutral uses and more distinctive typographic applications.
ALTERNATE STYLES
June Pro includes stylistic alternates that give designers more control over tone and clarity. Characters such as the alternate Q offer a different visual rhythm and can improve recognition in certain settings, especially at smaller sizes or in longer reading environments.
These alternates help the family shift between cleaner, more neutral uses and more distinctive typographic applications.
ALTERNATE STYLES
June Pro includes stylistic alternates that give designers more control over tone and clarity. Characters such as the alternate Q offer a different visual rhythm and can improve recognition in certain settings, especially at smaller sizes or in longer reading environments.
These alternates help the family shift between cleaner, more neutral uses and more distinctive typographic applications.
VERSATILITY
To show how June Pro could work beyond a type specimen, I created a series of brand identity examples using different weights, styles, and typographic combinations. These applications show the range of the family, from clean and functional to more expressive and characterful, while keeping the same focus on clarity.
VERSATILITY
To show how June Pro could work beyond a type specimen, I created a series of brand identity examples using different weights, styles, and typographic combinations. These applications show the range of the family, from clean and functional to more expressive and characterful, while keeping the same focus on clarity.
VERSATILITY
To show how June Pro could work beyond a type specimen, I created a series of brand identity examples using different weights, styles, and typographic combinations. These applications show the range of the family, from clean and functional to more expressive and characterful, while keeping the same focus on clarity.
RELEASE
June Pro was published by Schriftlabor, and is available through MyFonts, FontSpring, and I Love Typography. It has since been adopted by brands globally, proving its flexibility across identity systems, products, and editorial use.
RELEASE
June Pro was published by Schriftlabor, and is available through MyFonts, FontSpring, and I Love Typography. It has since been adopted by brands globally, proving its flexibility across identity systems, products, and editorial use.
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© 2026 Ross Hammond
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© 2026 Ross Hammond